Handel's Judas Maccabaeus

Plymouth Philharmonic Choir

There’s something special about the escapism provided by a good movie. We can find ourselves rapidly drawn into the high emotion and intrigue of an encounter, especially when we feel there has been an injustice. Plymouth Philharmonic Choir are staging their own blockbuster on Sunday 4 December at 7.30pm in Plymouth Guildhall with a performance of Handel’s Judas Maccabaeus. Based on fact both ancient and more recent, the plot and back story are as enthralling as anything that you will see on the big screen.

In England, with feelings of patriotism running high, Handel was inspired to write Judas Maccabaeus in honour of the victorious Duke of Cumberland who had crushed the Jacobite uprising, led by Bonnie Prince Charlie at the Battle of Culloden. In writing the text for the oratorio, Thomas Morell was making a comparison between the success of the Duke and a second century BCE victory over the brutal Antiochus IV Epiphanes. He was one of the Graeco-Syrian invaders of Judaea who outlawed Judaism and its practices on pain of death.  The desecration of the Temple in Jerusalem was such a bitter blow that it sparked a rebellion led by the priest Mattathias. Upon the priest’s death his son, Judas Maccabaeus, became the leader of the revolt. 

Handel’s music depicts the changing moods of the Jewish people as their fortunes vary from dejection to jubilation. With victory achieved the chorus sing two of the most well-known pieces ‘See, the conqu’ring hero comes’ and ‘Sing unto God’ before an ending where peace is finally restored.

The choir are delighted to be welcoming four first class soloists: Natalie Montakhab (Soprano), Kate Symonds-Joy (Mezzo-Soprano), Greg Tassell (Tenor) and James Cleverton (Baritone).  Natalie is a former finalist of the Handel Singing Competition, a major annual international singing event.