Jenny Dalton, communications and marketing manager for Club Europe, talks us through their Covid protection framework for your next music tour.
As restrictions start to ease and the world opens up again, choirs can start dreaming about going on tour again.
To give you the reassurance you need to travel again, we at Club Europe have created our Individual Covid Promise. This is our commitment to working with all our ensembles individually for the best and safest possible tour.
Bury St Edmunds Concert Band trombonist Gary Hawkes reflects on introductory sessions with Litha Efthymiou, and how she has got to know the group during their Adopt a Music Creator 2020/21 collaboration.
Litha’s first step was to send each member of the band five questions, to start understanding us after she had seen and heard the band perform. Here are the questions and my answers:
Trombone
Joan Lind, managing director of TryBooking, provides the lowdown on their socially distanced seating plans for any size or type of musical performance.
Isn’t it terrific that musical organisations can start to plan concerts, be they over summer, autumn or Christmas? TryBooking, a corporate member of Making Music, makes online ticketing simple. We have very low booking fees and are free to use for all free concerts.
Emily Abbott, programme director for Intergenerational Music Making and Together with Music, outlines the aims of an exciting new project.
The Hitchhiker’s Guide to the Galaxy by Douglas Adams identifies Somebody Else’s Problem (SEP) as: something we can't see, or don't see, or our brain doesn't let us see, because we think that it's somebody else's problem... [A] Somebody Else's Problem field... relies on people's natural predisposition not to see anything they don't want to, weren't expecting, or can't explain…’
I have often felt that when the topics of inclusion and access come up, it is as if they have just such a Somebody Else’s Problem field around them.
Hepton Singers' MD Richard Bunzl ponders how Fergus Hall has drawn on the history of Hebden Bridge to inspire their Adopt a Music Creator 2020/21 collaboration.
Hepton Singers have now had two full choir meetings with their music creator, Fergus Hall. Even over Zoom, with its sometimes dim and grainy pictures, and often intermittent sound, Fergus, alongside Emily Crossland, our project mentor, came across as a breath of fresh air for a choir living through (and coping with) difficult times.
Making Music was expecting confirmation that Step 2 in the England roadmap would allow outdoor music rehearsals with more than six people from 12 April, but this is not the case.
We are disappointed to hear from DCMS (Department for Digital, Culture, Media and Sport) that other organised participative group activity, including amateur group sports, are permitted as well as fairly large events for the public (e.g. village fetes), whereas no choir, band or orchestra can meet outdoors, except in socially permitted groups of six or two households.
Aberdeenshire Saxophone Orchestra chair Foss Foster outlines Ben Lunn's research on the life of William Thom, the 'Inverury Poet' who has provided the latest inspiration on their Adopt a Music Creator journey.
Aberdeenshire Saxophone Orchestra (ASO), Ugie Voices and Ben Lunn had several discussions about the sort of material which everyone would find suitable for the collaborative work.
Making Music is delighted to announce it has been awarded a grant of £44,000 from the second round of the Government’s Culture Recovery Fund.
After a year of unprecedented disruption to leisure-time music, this grant will be timely in enabling Making Music, as its sector organisation, to continue its work supporting 3,500 member music groups across the UK, as well as advocating on behalf of the wider sector to help it pull through the pandemic and thrive.
Barbara Eifler, Making Music Chief Executive, said:
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