Guidance

Top photography tips for music groups

At the risk of making you click away from this page in horror, we do need to start by citing that old cliché about a picture being worth a thousand words. Sorry, but it’s true: no amount of cheerful prose will convince visitors to your group’s website that you are a joyous and inspiring lot if they are greeted by a boring and gloomy portrait.

Conflicts of Interest

Potential conflicts of interests or loyalty are something that any organisation should be aware of and take steps to manage. If your music group is a charity, the regulator would expect that the trustees have spent some time thinking about how to manage conflicts of interest. However, even if your group is not a charity, we recommend you think about having a simple conflict of interest policy.

Access for all: Top tips for welcoming people with physical disabilities

In this guidance, reprinted from the Spring 2017 issue of Highnotes, Jen Farrant looks at how you can make sure your group is open to people with physical disabilities.

Welcoming beginners and less experienced musicians into your group

Many of our member groups are ‘mixed ability’, which means that people of any standard can join in – from complete beginners to advanced musicians. The challenge for these groups is how they keep things interesting enough for more advanced players, but at the same time don’t leave beginners feeling all at sea.

An introduction to: Samba

After looking at Barbershop, Wind Bands and Brass Bands, we are now focusing on Samba. What makes this music from Brazil so exciting and popular? How do you successfully navigate amongst the dozens of music styles? And how do you get involved? 

Starting a new group, Part 4: Making your group sustainable

This guidance explores how to go about starting a new group. It is a collection of ideas and tips structured in a way that we hope will help you to move forwards with your plan from the beginnings of an idea to your first rehearsal and beyond. This is the last of four sections and focusses on looking to the future to ensure your group is sustainable in the long term.

Starting a new group, Part 3: Finding members and creating a culture

This guidance explores how to go about starting a new group. It is a collection of ideas and tips structured in a way that we hope will help you to move forwards with your plan from the beginnings of an idea to your first rehearsal and beyond. This is the third of four sections and focusses on finding members and fostering a group culture.

Starting a new group, Part 2: The practicalities

This guidance explores how to go about starting a new group. It is a collection of ideas and tips structured in a way that we hope will help you to move forwards with your plan from the beginnings of an idea to your first rehearsal and beyond. This is the second of four sections and focusses on the practicalities of setting up a group.

Starting a new group, Part 1: Outlining a vision

This guidance explores how to go about starting a new group. It is a collection of ideas and tips structured in a way that we hope will help you to move forwards with your plan from the beginnings of an idea to your first rehearsal and beyond. This is the first of four sections, and outlines the process for deciding upon a clear vision for your group.

Starting a new group: Overview

At Making Music we work with over 3,200 music groups around the country so we have a pretty good overview of what’s out there, how running a music group works, and some of the common challenges that groups face today. Even with so many groups already out there we hear from people interested in starting up new groups all the time.